Breton is film. Breton is sound.
Breton is about audio and audio-visual autopsy; deconstructing and re-assembling popular culture.
Borne from the squat party scene and band mastermind Roman Rappak’s formative musical experiences of post-Communist Poland pirate cassette kiosks where compilations of Portishead, NWA, Guns ‘N’ Roses and Michael Jackson were the norm, Breton initially formed to make films. But they couldn’t find easily accessible places to show them that would allow the collective to incorporate their added elements of tightly synched soundscapes and live performance. DIY New Cross club nights run by promoters with a thrillingly, anything goes attitude to booking seemed the only suitable home for what they were attempting to do, and pretty soon as their 3am slots swelled, Breton were being encouraged to release their accompanying soundtracks.